The Prodigal Son among the Swine 1497-98 Pen, 217 x 219 mm British Museum, London The sheet, which is cut at top and bottom, is a preliminary drawing for the (also undated) copperplate engraving, which may be assigned to 1497-98. In the engraving the houses were brought lower, the figures were brought closer together, and the best pig (the one with its feet in the trough) was omitted. The praying swineherd, whose bodily articulation is not easily discernible even in the drawing (the springing of the left leg!) became more unclear in the engraving. Such cases are important for the proper evaluation of the more mature master's efforts for complete clarity of representation.Artist:D?RER, Albrecht Title: The Prodigal Son among the Swine Painted in 1501-1550 , German - - graphics : religious 1497-98 Pen, 217 x 219 mm British Museum, London The sheet, which is cut at top and bottom, is a preliminary drawing for the (also undated) copperplate engraving, which may be assigned to 1497-98. In the engraving the houses were brought lower, the figures were brought closer together, and the best pig (the one with its feet in the trough) was omitted. The praying swineherd, whose bodily articulation is not easily discernible even in the drawing (the springing of the left leg!) became more unclear in the engraving. Such cases are important for the proper evaluation of the more mature master's efforts for complete clarity of representation.Artist:D?RER, Albrecht Title: The Prodigal Son among the Swine Painted in 1501-1550 , German - - graphics : religious
Nuremberg Woman Dressed for Church Gemälde IDENTIFIZIERUNG:: 63641
Nuremberg Woman Dressed for Church 1500 Pen and ink and watercolour on paper, 325 x 218 mm Graphische Sammlung Albertina, Vienna D?rer, who seems to have dressed well himself, was always interested in depicting clothing and he produced some of the earliest known costume studies in European art. This is one of a set of four costume studies of Nuremberg women, two of them in dancing dresses and one in everyday attire. The artist's wife Agnes; then in her mid-twenties, was probably the model. The watercolour is inscribed: `This is how people dress for church in Nuremberg' along with the text `Think of me in Thy Realm'. Dressed in her best clothes for church, the demure young woman wears a red cloak with a green lining and beneath this is a blue-green dress fringed with white fur. She has a starched linen headdress. Her eyes look down at the ground, in a contemplative pose. Four years later D?rer used this study in his woodcut of the Marriage of the Virgin. The Nuremberg woman appears at the right of the print, in reverse, as one of the seven virgins who were Mary's companions.Artist:D?RER, Albrecht Title: Nuremberg Woman Dressed for Church Painted in 1501-1550 , German - - graphics : other 1500 Pen and ink and watercolour on paper, 325 x 218 mm Graphische Sammlung Albertina, Vienna D?rer, who seems to have dressed well himself, was always interested in depicting clothing and he produced some of the earliest known costume studies in European art. This is one of a set of four costume studies of Nuremberg women, two of them in dancing dresses and one in everyday attire. The artist's wife Agnes; then in her mid-twenties, was probably the model. The watercolour is inscribed: `This is how people dress for church in Nuremberg' along with the text `Think of me in Thy Realm'. Dressed in her best clothes for church, the demure young woman wears a red cloak with a green lining and beneath this is a blue-green dress fringed with white fur. She has a starched linen headdress. Her eyes look down at the ground, in a contemplative pose. Four years later D?rer used this study in his woodcut of the Marriage of the Virgin. The Nuremberg woman appears at the right of the print, in reverse, as one of the seven virgins who were Mary's companions.Artist:D?RER, Albrecht Title: Nuremberg Woman Dressed for Church Painted in 1501-1550 , German - - graphics : other
St Jerome in His Study Gemälde IDENTIFIZIERUNG:: 63642
St Jerome in His Study 1511 Pen, 190 x 151 mm Biblioteca Ambrosiana, Milan Preliminary study for the woodcut, in which the composition is further simplified and compressed, a large white curtain of diagonal contour playing a decisive role in the change.Artist:D?RER, Albrecht Title: St Jerome in His Study Painted in 1501-1550 , German - - graphics : study 1511 Pen, 190 x 151 mm Biblioteca Ambrosiana, Milan Preliminary study for the woodcut, in which the composition is further simplified and compressed, a large white curtain of diagonal contour playing a decisive role in the change.Artist:D?RER, Albrecht Title: St Jerome in His Study Painted in 1501-1550 , German - - graphics : study
Male and Female Nudes Gemälde IDENTIFIZIERUNG:: 63643
Male and Female Nudes 1516 Pen, 258 x 225 mm St?delsches Kunstinstitut, Frankfurt (The significance of the action has not yet been convincingly explained.) This is a drawing of great lightness with open, quite transparent patches of strokes. The line that characterizes the form is completely absorbed in ornamental beauty. In the background, behind the lower third of the height of the figures, there is an area of parallel horizontal lines ?a feature that recurs elsewhere.Artist:D?RER, Albrecht Title: Male and Female Nudes Painted in 1501-1550 , German - - graphics : study 1516 Pen, 258 x 225 mm St?delsches Kunstinstitut, Frankfurt (The significance of the action has not yet been convincingly explained.) This is a drawing of great lightness with open, quite transparent patches of strokes. The line that characterizes the form is completely absorbed in ornamental beauty. In the background, behind the lower third of the height of the figures, there is an area of parallel horizontal lines ?a feature that recurs elsewhere.Artist:D?RER, Albrecht Title: Male and Female Nudes Painted in 1501-1550 , German - - graphics : study